沈阳农业大学学报(社会科学版)

发端于辽南地区的盖州皮影戏，承载着中华民族精神与辽河文化之光，凭借服饰、鼓乐与剧目等伴随文本构建起了丰富的文化符号系统。在新媒介时代，以盖州皮影戏为代表的一批非物质文化遗产，从传统的舞台亮相网络视频，逐步走进民众视野。关注从田间地头演化到公共网络的民俗现象，运用符号学方法解析盖州皮影文化符号象征体系，可以探寻非遗传承与发展的可行路径，为辽河文化发展提供典型案例。

As an important carrier of the Chinese national spirit and the culture of the Liaohe River Basin, Gaizhou shadow puppetry undertakes a rich cultural symbol system through accompanying texts such as costumes, percussion and wind music, and plays. In the era of new media, Gaizhou shadow puppetry as well as other intangible cultural heritages are gradually moving from the cultural periphery to the public's view. This paper focuses on the folk phenomenon from rural fields to the public network, and uses the semiotic methods to analyze the cultural symbolic system of Gaizhou shadow puppetry, which can explore feasible paths for the inheritance and development of intangible cultural heritages, and provide a case for the development of Liaohe River culture.